Hope and Prepare | A Conversation

‘How does one hope for the best and prepare for the worst, Lord Vayu?’ princess Valli asked the Guardian of the Wind.

‘I am not sure, but it is quite an impossible feat I must say.’

‘To be hopeful of the great and still be ready to face the worst, a sting of irony,’ the princess added.

Vayu nodded his head.

‘To be hopeful would mean to let the heart float among the clouds,’ he said as the sky danced in shades of pink. The sun was setting. They were atop a high hill that overlooked the entire valley. ‘And to prepare for the worst would mean to fall straight unto the ground from the clouds.’

‘How can one imagine the two together. To hope for one and to prepare for another?’ Valli questioned as the wind blew her scarf. ‘Doesn’t one prepare for what one hopes?’

‘Indeed,’ replied Vayu. ‘The human life is bogged with the eternal ironies, to have day and night, shadow and light. To have the wind to breathe and to have the same win uproot homes as hurricanes.’

‘Wouldn’t it be better to be able to fly like the birds instead? To soar in the clouds and not have to worry of falling?’ Valli added.

‘But even the birds fear the fall.’

‘Perhaps, they do. And we do too.’

30 Minutes of Traveling: A Rabbit and A Writer

It’s all warm inside the big micro. I don’t know how but I know it’s going to take me home. Ah! such a lovely weather it is, only if it weren’t for the crowd inside the bus. Look at how many people are being cramped in, one stop after another.

Thankfully I’m safe here, cozy. I don’t like these eyes staring at me. Haven’t they seen my kind before?

Wait, hush! Someone is particularly starting at me. I know she’s a writer. I’m a rabbit, I should know these things. Super powers, you see.

Ah! the writer, those curious eyes hiding behind prescription glasses. I know she’s planning on writing about me now that my existence has become evident to her. But what she doesn’t know is that I have already written about her, inside my mind. Right now. Here, in these words.

Heavens! why can’t she write about the humans instead. But wait, I forgot that they re indeed extremely boring. You’d see a lot of them inside a micro bus, but a rabbit. Well well! It’s a treat I suppose.

My owner might be one of those good looking men in the world, but I’m cuter. And I know everyone around, especially the writer wants to pet me, run her hands through my white fluffy fur. But she won’t get to. No, she won’t. She’s far away from me.

Everyone is rather surprised at my calm nature. If the bus gets crowded, I hold on tightly to my owner’s arms. How wonderful it is to look at these humans wondering about us animals!

It’s getting really hot now. Some people get down, some people get in. My owner has been standing for a long time now! Poor creature! When will he get to sit and when will I have to stop worrying about accidentally falling off his strong arms?

The writer is still thinking about me. She thinks of me as a cute little being, but am I? I wonder! Oh wait the bus stops and hurray my owner finally gets the seat. I cling a little tighter as he sits down on the corner seat. Oh but now I can’t see the writer anymore. Maybe it’s good.

I’m going home.


I met a rabbit inside the micro bus and thought, what if the rabbit wanted to write about it, instead of me?  

3 Reasons To Read Fiction Even As An Adult

I was a finance major in my final year of undergraduate education. We were learning Financial Markets and Institutions, famously known among students as FMI, during the Fall semester. Our course instructor strongly urged us to use our imagination and logic while dealing with the numerous cases we were up during class discussions and assignments. He said, as I still remember clearly, ‘You might not be able to be so creative in the next semester. It will be more of financial applications and numericals then. I’m not saying you can’t be creative, it’s just that it’s very difficult for anyone to challenge William Sharpe’s ratio. You can, but to be able to do that you must first learn to use your imagination in the current class.’

That’s what I’d like to call the different between fiction and non-fiction reading.

Over the years I’ve seen a lot of my friends and family discover their joy of reading, which is fantastic. More books and ideas to share everywhere. But I’ve also seen a pattern that would certainly make Neil Gaiman, a champion of reading for pleasure and libraries, worry. A lot of adults read a lot of non-fiction (which is great), but they somehow end up turning a blind eye to fiction. Fiction as the word suggests is a lie, it’s untrue; why should anyone waste their time reading it? Why don’t we read more of creativity hacks and technology instead?

I’m definitely not against non fiction reading. It’s necessary. It gives us ideas and perspective we wouldn’t find elsewhere. And with information widely available, cost of printing going down, it has never been a better time to be alive to read.

#1 Fiction is not a trap
I’ve met friends and family who often tell me that fiction is a trap. It has to do with the fact that it is untrue, I presume. I don’t usually end up defending fiction and at times I do feel guilty about it. But it also gives me a chance to ask ‘Why do you feel that way?’ The answers mostly reveal being stuck with a particular genre for a long time. I believe it’s like myopia to the eyes. I’m myopic and without my prescription glasses everything is blurry. If I never wore glasses, I’d perhaps end up thinking the world is exactly as it seems to my eyes: blurry. But of course it is not.

#2 Fiction helps you question
If non fiction hands you knowledge, fiction helps you question. And questioning is just as important as gathering knowledge. Why did Harry choose to fight Voldemort? Why did Parijat wrote what she wrote?

#3 Fiction eases the burden of reality
In line with #2.
It can be extremely difficult to put ourselves into the feet of real people. Even in case of non fiction storytelling, it is at times difficult to narrow down the circumstances people go through. All the while comparison is usually tricky, because everyone is different and circumstances alter cases. But the case is different for fiction. It’s not real, and in this lies a subtle freedom. We can compare, question and demand alternatives that perhaps would have been very difficult otherwise. It’s easier to question fiction, and in return to question reality. And this is how we learn things do not have to be the way they are.

I think what my finance instructor meant when he said use your imagination this semester was that I wasn’t working with just facts, I was working with scenarios and cases where people acted, and thus, anything was possible as long as it made sense (of course financial rules applied). The next semester was equally challenging and interesting, but I realized he was right, I couldn’t use my mind more freely. There were equations I could not challenge, not yet. But the previous semester’s imaginative working helped in a lot of cases, especially in interpretation questions.

Fiction and non fiction reading as some say might go hand-in-hand. One answers, another questions, then a few more answers, a few more questions. Like an eternal dance of light and darkness, that continues to challenge and nourish our intellectual life.

I am extremely lucky to have discovered the joy of reading as a young child. Peter Rabbit was my favorite because there was a long long line of generation in it. It is rare to find a book that mentions Great great great great grand father. The book was bright yellow and it was very attractive. We were made to memorize poems in our Nepali literature class, that I still treasure. The lines might have become blurry in my memory but the learnings are still omnipresent.

The joy of reading, it’s not a big thing, but it’s fulfilling, it’s nourishing, it’s exactly how it is supposed to be- reading.


Do let me know what you thought about this article. It’s still nebulous in parts. The more I read, the more I discover, and thus, a longer path awaits to be seen. Till then, here’s my little part.

Meera Goes to Hogwarts: Chapter Three

Take a quick recap: Chapter One and Two.

Meera followed the Prefect to the Hufflepuff dormitory. The entrance to the dormitory was the same as the kitchen. Meera followed quietly trying not to signal a single sound of amazement.  When they reached the entrance with large barrels, the Prefect tapped the second barrel from the bottom four time in a distinct rhythm. Meera was told to memorize the rhythm which is the only way to enter the dormitory.

‘Tap—Tap-Tap———-Tap.’ This was presumably the rhythm of Helga Hufflepuff, the founder of the Hufflepuff house. The barrel opened revealing an entrance to the dormitory. Meera is amazed to see the room. It was cheerful as were the students already inside of it. The common room was decorated with colors of earth, and the house colors black and yellow. The honey colored wooden furnitures and the plants placed neatly on the walls, added to the ambience of the room.

Neal, the boy who Meera had met earlier was already sitting in one of the wooden chairs. He rose as he saw Meera arrive. There was a little girl with him, who seemed a lot younger than him.

‘Meera, meet my sister Benny,’ he said. Benny raised her hand to wave and said, ‘Hello’ in her meek little voice. They were to share the same dormitory.

Neal’s sister was starting her first year in Hogwarts and he was extremely happy that Benny had been sorted into Hufflepuff. He also told Meera that it was not necessary despite being family, that they should be sorted into the same house.

‘How do you come to Hogwarts then?’ he asked Meera.

‘To be honest, I do not know,’ Meera replied.

‘May be Meera’s a great witch…and so,’ Benny was quick to add. But she shyly turned away immediately.

Meera smiled. ‘Thanks,’ she said. May be Hogwarts wasn’t that odd after all.

Meera’s classes were to begin the next day. She was to start with the first years with a couple of extra subjects to be able to cover as much as possible. She looked at the heavy bag Zuck had bought for her. It was filled with books of all kinds. While the topics looked much different from what she had ever seen, the fact that she had to learn all of it made her realize that magic must be studied too. It wasn’t something that was passed down or given without effort.

Meera entered the first class. It was called Charms. A tiny little professor, who was named Zelda was already sitting. The students were ready to begin the class. Meera sat down besides Benny.

‘Wands out!’ Professor Zelda said sharply.

Meera searched her little bag for her wand. She remembered putting everything Benny had told her the night earlier. But she could not find her wand. How could she perform magic without it? She looked left and right. Everyone was ready. Meera felt ashamed for not knowing something so obvious.

‘I don’t have mine,’ she said meekly.

‘Magic without wands!’ yelled a girl from behind, giggling. She was Redna from Ravenclaw.

‘Silence!’ Professor Zelda said. ‘You will have to go and get your wand Meera.’

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